*Testing new blog to FB forwarding app* *New gallery image display format*
*Testing new blog to FB forwarding app* *New gallery image display format*
… some pictures of new fired/finished work. Finally got my brightness and white balance issues resolved and took a few pictures to share with everyone.
I hope you enjoy them…
The last slab of the bunch is the biggest at about 10kg/25lbs. I wanted an ocean motif and started out with ideas for iron brush decoration of waves and ocean birds, with a clear feldspar glaze. Somewhere along the way it changed into two opposing wave patterns, one stamped and the other carved.
The pattern is identical, but the exterior wave pattern was made with my paddle, carved with a wave pattern and used like a bench chisel, placing it on the clay and tapping it with a mallet to create a repeating pattern. The center wave pattern is the same as what is carved into the paddle, but varies more because it follows the changing width of the center swath.
If I can get this one to dry without cracking, it should take the firing ok. It will be glazed in either a white ash glaze or a green ash glaze. A nice runny ash glaze should fill in the texture and accentuate the pattern nicely.







Sorry to everyone for the lack of posting lately, particularly pictures of results from the last firing. I’ve been taking photos, but keep having to scrap them because the color is all over the place. When I did the remodel of the workshop it totally screwed up the ambient light on the 2nd floor. That, combined with me moving my photo setup downstairs, and my white balance is completely out of whack. So, I will post finished work when I get that all sorted out. It’s looking like I’ll have to move the photo setup back upstairs and go back to dedicated lighting of one type only (at this point all you photographers are thinking “no shit, Sherlock”, no doubt.)
Anyway… back to the slabfest thing. After finishing a lot of pots for a wedding order, I started thinking about slabs, and the fact that I finally figured out how to make them without having them all crack during either drying and/or firing. So this next firing will include thicker and larger slab plates, and also one experimental interlocking slab wall hanging that will be about 5 ft. tall.
Lately, all my slabs are made by slapping a piece of clay out on the floor until it is the desired thickness. After that, I get them onto a board and paddle the bejeezus out of them. Lastly, the edges get compressed with a damp chamois. On one of my dog walks a couple of years ago, I found an old rusty sickle which I hammered into a curve and now use to facet and flute different pieces. It also works great on these slabs.




These three do not have raised edges, since they are meant to be a wall hanging.






I got a sudden phone call yesterday evening, a friend was going to the site of an old house that was getting torn down. Apparently everything that didn’t get taken out was going to be tossed out with the demolished house parts.
No one had been living in the house at all for about 20 years, and I don’t know how old the house was but it was pretty old. I think it was probably pretty nice in its day, beautiful carving in the wood around the entrance. Kind of sad really, imagining it how it must have been even only fifty years ago, when seeing it in its present state.
The structure consisted of a farmhouse with attached barn and toilet area. What must have been the kitchen area had already collapsed several years ago, and we had to walk over that to get to the house. The entry way was old style domashiki, with a dirt floor where you removed your shoes and stepped up onto a raised floor. We didn’t take off our shoes today, just stepped up and waded through the remains of several generations of existence, what got left behind when the occupants moved out. Old wooden chests, a wooden mortar for pounding rice, things I would normally jump at, but they literally crumbled in my hands when I touched them.



I picked up some nice slabs of wood from the second floor. Inch thick pine forty to fifty cm wide, from 90cm to about two meters in length, all of it with nice figuring and shot through with wormholes. They were all milled by hand saw, the pattern of the saw still showing. When I finish them I will try to keep that saw pattern rather than sanding it away. They will make very nice boards for displaying pots.






-Posted from iMike
This is one of my favorite water jars, not just from the Karatsu tradition, but from all water jars the world over.

I like the way it looks more like an old burlap sack than a pot, partly due to the way it was made, and partly from the firing.
Here are two I made as a sort of practice. If I can come close to the original, I’ll be thrilled, but just getting the practice is the main goal here.
Whoever made the original really really knew what they were doing. It is coil and paddled, and about three mm thick throughout.
Also, some other pots in the works: