I’m in the middle of loading the kiln for the fall firing, and suddenly realized I’ve forgotten to make any firebox suitable guinomi or chawan, so spent yesterday evening and this morning doing a batch of guinomi made from what I hope is a sufficiently refractory body for the most violent parts of the kiln. Teabowls this afternoon…
Karatsu potter Okamoto Sakurei just ended a show in Fukuoka this weekend at Gallery Ichibankan. For those of you who haven’t heard of him, Okamoto san is a very talented artist making Karatsu style wares. He is well known throughout the country and one of the top Karatsu ceramic artists today. He will also be doing a demonstration/lecture for the Workshop in Taku 2012: The Simple Teabowl.
During my visit we had a chance to discuss his upcoming presentation, as well as some wood firing diagnostics. Here are some of the pictures from the show. The gallery used a lot of natural light from its windows, which made for a very nice display, however it was not so camera friendly.
On and off I’ve had requests for pictures of the kiln, so here are some selected photos of it from beginning to completion. Building this kiln was the subject of the first Workshop In Taku, in 2010. The second in the series, Workshop in Taku 2012: The Simple Teabowl, will happen from May 12 – 18, 2012. Full details here:
The series starts not with ‘the kiln’, but ‘the hole’.
Kiln design and expert workshop guidance by Craig Edwards of Minnesota.
It has been raining cats and dogs since this morning, and we must have gotten about 8 inches in as many hours. Unreal. It is the first time the water has risen in my kiln to a level that would affect pots if they were loaded into the first chamber. In the past it has always stopped short of the front floor but today it was a couple of inches deep in the front floor area.
At least I had good weather yesterday and into early this morning for firing the gas kiln. Turned off the kiln at around 5 am (fired for 18 hours) and when I woke up at 6, it was pouring. Later in the day, I peeked into the kiln when it was still around 700C. Snapped a couple of pictures, with and w/o the flash. The first glance doesn’t look too good. Ame yu was a bit too thin, I think, but won’t know for sure until I open the kiln up completely and have a good look. One thing I am happy about is that the new clay blend I was testing seems to have stayed together nicely, no bad slumping (a little slumping, I like).