Here are images from Saturday’s unloading of the kiln. Some good, some bad, but mostly good.
Most problems came from mistakes made with clay or glazes, the firing of the kiln was exactly how I planned… first time ever.
Got a nice gradient from about cone 12-13 in front, to cone 6-7 in the back of the first chamber, and an overall cone 6-7 in the rear chamber.
Biggest problem was crawling of iron brushwork on raw ware. I will touch up bare spots and refire these.
Lost both big slabs, which both cracked BADLY.
Madara and E-Madara items came out really nice overall, with lots of subtle blues.
This is an underglaze decorated madara glazed yunomi fired in the wood kiln in 2013. It was heavily reduced in the firing, resulting in the dark clay color and carbon trapping in the glaze.
It is a small yunomi, and could almost be called a large guinomi, and certainly has the character of a guinomi. People generally confuse guinomi with sakazuki (sake cups), but Guinomi are cups used for tea, sake, whiskey, etc…, that have a higher status among pots than yunomi, because they are usually one of a kind pieces, not made in large batches like yunomi usually are. Think of them as a sort of ‘mini chawan’.
Item size: approx. 7.5H x 6.0W cm
Price includes signed and stamped wood box.
Workshop in Taku, 2014. This is what you get when a professional photographer runs wild, and is kind enough to share. Thank you Robert (Brad) Haughie!