Tag Archives: chawan

May/June Update

Well, all lot of little things have happened over the last month or so, but nothing really blogworthy all by itself, so I thought I might do an umbrella post for May/June.

First, and what I posted about before, was the Workshop in Taku, 2012: The Simple Teabowl workshop, with Kawakami Mako, Tsuruta Yoshihisa, Okamoto Sakurei, and Maruta Munehiko. We started with a wonderful tea ceremony demonstration and talk, then we moved outside to prepare tea ourselves. The second and third day, Tsuruta sensei demonstrated his pottery making techniques, fourth and fifth day Okamoto sensei demonstrated, and on the sixth day we watched Maruta sensei at his studio. The last evening we had a very nice banquet at Hisago, and Kawakami sensei joined us again for that.

After the workshop I needed to decompress for a couple of days, then found out I’d be needing to go back to the US for the summer, so I moved up my kiln firing schedule to the end of June. Got into the studio to start making work again, and also found some time to bid on a Furo being auctioned off on Yahoo Auctions. A Furo is used to heat water for tea ceremony. Next, after years of looking for a suitable garden hose storage device, I broke down and decided to just make a few which I am pretty happy with, we’ll see how they look after the firing. Several friends came over last weekend and spent much of the day playing on my wheels. They ended up with about 20 pots which will go into the next firing. I wedged up some clay and played too, some guinomi and chawan for the rear chamber. Lastly, I spent yesterday morning gathering wood from the local mill, who sold me three K truck (a very light little flatbed type of truck that is used a lot in the country areas of Japan) loads of mill ends for about $30, a real bargain, so I donated some coffee mugs to their mill office. Hopefully they will get some use out of them.

Well, that’s about it, have a great week!

 

Mike

WIT2012,The First Pottery Demo: Tsuruta Yoshihisa

Here are some pictures from the first pottery demo conducted during the Workshop in Taku, 2012: The Simple Teabowl. Tsuruta Sensei’s demonstration was conducted over the course of two mornings. He did all of his work on a small kickwheel, focusing on handbuilding techniques for teabowls, cups, flasks, and water jars.

The first day he demonstrated coil built bowls, cups, and a flask. The second day he trimmed the first day’s pieces, and demonstrated the coil and paddle water jar.

Thank you Kim and Minna for all of your great photos!

Workshop in Taku, 2012: The Simple Teabowl

Well, I am sitting here now in the quiet aftermath of what turned out to be a fantastic week long pottery workshop, here in Taku, Japan. As I sit here, looking at the prospect of going back to my normal schedule on Monday, I realize what an amazing experience the whole thing was, and am now looking forward to going through the hours of video of pottery and tea demonstrations.

We started the week with a tea ceremony demonstration by Kawakami Mako Sensei. She had prepared an informative talk on the roots of modern tea ceremony, and some of the key concepts such as Wa Kei Sei Jaku and Ichi-go Ichi-e. She prepared Koicha (thick tea) followed by Usucha (thin tea), and then we all went outside near  a waterfall in the park and tried preparing a bowl of tea by ourselves.

Sunday and Monday mornings, Tsuruta Yoshihisa Sensei demonstrated his handbuilt teabowl forming techniques and coil and paddle techniques for larger forms. It is always amazing watching him work.  In the afternoons, we visited a few ceramics galleries and a tea ceremony supply in Karatsu. We also made a very interesting trip to the workshop and kiln of Nakazato Shigetoshi Sensei, second son of the late Nakazato Muan, 12th gen. potter of the Nakazato family and Living National Treasure. He was kind enough to show us his small personal museum of shards and special work, as well as a tour of his kilns and showroom.

Sunday evening was pizza party at my house and studio, and we baked pizza in the wood fired oven, yum. One of the Japanese guests, Housui san, is a calligraphy artist, and he treated us to an impromptu performance, first on regular paper sheets, then with a large brush on a tatami mat (I’ll post pictures of that later). We also did our first collaborative piece when he wrote a poem in iron deco one of my large plates. It will be fired in the next wood kiln firing.

Tuesday and Wednesday mornings, Okamoto Sakurei demonstrated his pottery making skills making larger forms, thrown, hand built and coil/paddled. We visited Sakureigama studio and kiln in the afternoon, and Okamoto Sensei was kind enough to bring out a few of his antique teabowls. He brought out two old Karatsu teabowls and two Ri period Korean bowls which were my favorites. I was even accused of ‘fondling’ them. I probably was. Wed. afternoon we visited the Nagoya Castle ruins in Chinzei. This was the castle from which Hideyoshi staged his campaigns into Korea. It is a huge complex, quite amazing when you imagine what it must have been like at the time. There is a tea room there, Kaigetsu, which we visited for tea, and the hostess showed us the separate tea house set in the far end of the garden. My father in law, who helped drive for the group, said it was the first time he has ever visited a tea room and the first time he ever had matcha, which he enjoyed thoroughly.

Thursday we visited the studio and showroom of Maruta Munehiko and  he demonstrated throwing teabowls on his kickwheel, as well as trimming. After his demonstration we visited his showroom, where everyone ogled the work and a couple of  people bought  two of his beautiful Kuro Oribe guinomi. I couldn’t resist buying an E-Karatsu yunomi. Thursday evening we visited the tool store, before going to dinner at Hisago on Nishi Arita. Maeda san, the chef at Hisago, prepares Kaiseki meals in dishes he has personally collected over the years. The whole meal is a feast for all the senses. He keeps records of what he has prepared for his customers, and never serves the same thing twice.

Friday we took it easy and shared all of the photos and video we had taken over the last 6 days. Everyone packed up and I took them to the train station, to head back to their own countries. It was an amazing group of people and everyone got along, making for a remarkably smooth workshop with a minimum of drama. I hope everyone will come back for the Workshop in Taku 2014: The Undecided Theme.

New Pots, Finally!

Unloaded the kiln yesterday and started cleaning up some of the keepers. This firing was good. A lot of keepers, some refires, and a few hammers.
Here are a few of the pots that are at least partially cleaned up and ready to go.

Katakuchi and Guinomi

Here are some of the last pots to be made for the upcoming firing. Katakuchi (spouted bowls) and guinomi (small drinking cups).

The katakuchi are made from 3 blended clays, with added sand and crushed porcelain stone. I got lucky with the clay for the guinomi, clay gathered from a roadside cut more than 10 years ago by an in-law. It was really nice to throw with, and trimmed like a dream. This was the last of it, so I’m really hoping to get some keepers.

The spouts are really simple. Just a lump of clay smashed out with your thumb against the palm of your hand, then attached to the pot. If you look closely you can see the creases of my hand in the undersides of the spouts.

I realized that I tend to post pictures of unfinished work more often than not. I’ll try to remember to post pictures of the finished pots after the firing, if they come through it ok.

Okamoto Sakurei Show Pictures

Karatsu potter Okamoto Sakurei just ended a show in Fukuoka this weekend at Gallery Ichibankan. For those of you who haven’t heard of him, Okamoto san is a very talented artist making Karatsu style wares. He is well known throughout the country and one of the top Karatsu ceramic artists today. He will also be doing a demonstration/lecture for the  Workshop in Taku 2012: The Simple Teabowl.

During my visit we had a chance to discuss his upcoming presentation, as well as some wood firing diagnostics. Here are some of the pictures from the show. The gallery used a lot of natural light from its windows, which made for a very nice display, however it was not so camera friendly.